- From Monday to Friday
9:00-15:00
warunki zwiedzania
Mar
29
2011
prof. Jerzy Miziołek
Author: MUWtelefax: 00 48 (22) 826 90 30
E-mail: jerzymiziolek@wp.pl
DATE AND PLACE OF BIRTH: 18 December 1953, Łowicz, Poland,
EDUCATION: 1975-79: Art History, Jagellonian University, Cracow;
1977-81: Classical Archeology, ibid.
1981/1982: Early Christian Archaeology, Pontificio Istituto di Archeologia Cristiana, Rome
1983-84 Postgraduate studies, Polish Academy of Sciences, Warsaw
DEGREES: 1980, MA – “Representations of Religious Processions in Early Christian Art”, Jagellonian University; 1987, Ph.D. – “Sol verus. Studies in the Iconography of Christ in the Art of the First Millennium”, Jagellonian University.
1996, Dr habil. – “Soggetti classici sui cassoni fiorentini alla vigilia del Rinascimento”, University of Warsaw.
2000 – Associate Professor
2008 – Professor Ordinarius
WORKING ACTIVITY:
1984 – 88 – Assistant (academic) and then Lecturer at the Institute of Art History, Jagellonian University
1988 – 1992 Adiunkt at the Section of Renaissance Art, Polish Academy of Sciences and Letters, Institute of Art History, Warsaw
1992 – 1997, Lecturer at the Institute of Art History, University of Warsaw
Present, Professor of Art History and the Classical Tradition in European Art at the Institute of Archaeology, University of Warsaw; Professor of the Visual Arts at the Warsaw School of Social Psychology.
Director of the Museum of the University of Warsaw, since October 2010
SCHOLARSHIPS/FELLOWSHIPS:
1980/1981, The Lanckoroński Foundation Fellowship, held at the Pontificio Istitito di Archeologia Cristiana, Rome
1989, June/September – Fritz Saxl Fund, University of London, The Warburg Institute
1991, June/December – Postdoctoral Fellowship, The Getty Grant Program, held at the Warburg Institute
1994/1995, December/February – Mellon Research Fellowship held at Villa I Tatti, Harvard University Center for Italian Renaissance Studies
1995, May/June – Kunsthistorisches Institut in Florenz
1996, September/October, Paul Mellon Senior Fellowship at the Center for Advanced Study in the Visual Arts, National Gallery of Art, (CASVA) Washington D.C.
1997, August/September, Soros Visiting Senior Research Travel Fellow, the USA
1998 and 2001 September/October, , National Gallery of Art, Washington D.C.
1999 Summer Institute in Art History and Visual Studies, University of Rochester
2001, September/October, Paul Mellon Visiting Fellowship (CASVA)
2006, January/April, The Getty Research Institute, Los Angeles
LECTURES DELIVERED ABROAD AND AT INTERNATIONAL SYMPOSIA:
Since 1991 I have delivered over 30 papers and lectures at foreign Universities and international symposia concerning both early-Christian and Renaissance art: e.g. at The Warburg Institute, University of Rome (La Sapienza), University of Florence, Fondazione Roberto Longhi in Florence, University of Mannheim, Pontificio Istituto di Archeologia Cristiana, Villa I Tatti, University of Rochester, University of Pittsburgh, University of Siena, University of London, Universita’ Roma III, The State Hermitage Museum, Sankt Petersburg, Universita’ di Venezia C’a Foscari, University of Szeged, University of Olomouc, University of Naples, University of Cambridge (King’s College), International Congress of CIHA (“Past Perfected”) at Los Angeles, Villa Vigoni, University of Catania.
Publications
A. BOOKS
1. “Sol verus. Studies in the Iconography of Christ in the art of the first millennium”, Wrocław: Ossolineum 1991, (in Polish with a full summary in English).
2. “Soggetti classici sui cassoni fiorentini alla vigilia del Rinascimento”, Warszawa: Institute of Art of the Polish Academy 1996.
3. Miti, leggende, exempla. La pittura profana del Rinascimento italiano della collezione del conte Karol Lanckoroński, Warszawa 2003, University of Warsaw (in Polish, with an abbreviated version in Italian)
4. J. Miziołek in collaboration with P. Martyn ed. by: “Falsifications in Polish collections and abroad”, Warsaw 2001 (University of Warsaw, Institute of Archaeology) containing papers in English, Italian and French dealing with forgeries/fakes of art objects from Antiquity until the beginning of 20th century.
5. J. Miziołek ed. by, Ars et educatio. Artistic culture of the University of Warsaw, Warszawa 2003, University of Warsaw (in Polish)
6. Inspiracje śródziemnomorskie. Wizja antyku w sztuce Warszawy i innych ośrodków kultury dawnej Polski, (Mediteranean Inspirations), Warszawa 2004
7. University of Warsaw: History and Tradition, Warszawa 2005 (in Polish, two editions)
8.J. Miziołek, Jacek Maj (eds.). Kazimierz Chłędowski: Writer and Cultural Historian, Krosno 2007
9. Villa Laurentina of Pliny the Younger in 3D. Between 18th century archaeology and the neoclassical vision, (in collaboration with M. Baliszewski and M. Tarkowski), Warszawa 2007
10. Muse, baccanti e centauri. I capolavori Della pit tura pompeiana e la loro fortuna In Polonia, Varsavia 2010
11. Chopin among Artists and Scholars (together with Hubert Kowalski), Warsaw 2010
B: PAPERS (a selection of the most important ones 2005-2010):
1. Il programma della chiesa degli Scolopi a Cracovia. Sulla presenza della “Trasfigurazione” di Raffaello nella cultura artistica polacca, [w:] “Barocco”, 2005, pp. 191-238
2. The Punishment of Crassus and other “Exempla iustitiae” at Arthur’s Court in the context of Netherlandish, German and Italian Art, “Questiones Medii Aevi Novae”, 10, 2005, pp. 224-248
3. “In the pure taste of Trajan’s century”. Preliminary observations on Pliny the Younger’s Laurentina as imagined by Count Stanisław Kostka Potocki, “Światowit”, 2006, VI, fasc A, pp. 25-42
4. « I figli che saettano il Padre » su un ovale Rinascimentale del Museo Bardini a Firenze, „Iconographica”, V, 2006, pp. 88-105
5. I mosaici della basilica del Monte Sinai. Nuove osservazioni sulle fonti delle raffigurazioni e del loro contenuto ideale, „Arte Cristiana”,XCIV, (837), 2006, pp. 399-408
6. The Odyssey cassone panels from the Lanckoroński collection: on the origins of depicting Homer’s epic in the art of the Italian Renaissance, “Artibus et Historiae”, 53 (2006), pp. 57-88
7. Italia in partibus: La cultura artistica polacca del ‘500 nella luce delle ricerce dell’ultimo ventennio, “Eadem utraque Europa”, 2, 2006, pp. 18-54
8. Exempla iustitiae at Arthur’s Court in Gdańsk in the context of Duch and Flemish, German and Italian Art, [w:] Netherlandish Artists in Gdańsk in the Time of Hans Vredeman de Vries, Gdańsk 2006, pp. 73-81
9. Virgil in the Basket and Mounted Aristotle: Two lettuccio paintings by Giovanni di Buonconsiglio from the Lanckoroński Collection, “Iconographica”, VII, 2008, pp. 90-102
10. The Awakening of Paris and the Beauty of the Goddesses: Two cassoni from the Lanckoroński collection, “Mitteilungen des Kunstistorischen Institutes in Florenz”, LI, 2007 (publ. 2008), pp. 299-336
11. Orpheus and Eurydice: Three spalliera panels by Jacopo del Sellaio, “I Tatti Studies” (Harvard University Center for Italian Renaissance Studies), XII, 2009, pp. 117-148
12. Reconstructing Antiquity in the 1770s: The Decoration of Pliny the Younger Villa Maritima in Count Stanislas K. Potocki’s Vision, in: Das Originale der Kopie. Kopien als Produkte und Medien der Transformation von Antike, ed. Tatjana Bartsch, Marcus Becker, Horst Bredekamp, Charlotte Schreiter, Berlin 2010, pp. 223-245
13. Publikacja internetowa — UKSW: Stefan Kardynał Wyszyński wobec uniwersum sztuki, in : Kultura-media-teologia, 2010, 3, pp. 82-91
14. I due capolavori di Henryk Siemiradzki: Le torce di Nerone e it Giudizio di Paride
ovvero it trionfo Venere, ,,Pegassus”, 12, 2010, pp. 83-119.
15. I decori e le storie dipinte sui cassoni,in: Virtu d’amore. Pittura nuziale nel Quattrocento fiorentino, a cura di Claudio Paolini, Daniela Parenti, Ludovica Sebregondi, Catalogo della mostra, Firenze 2010, pp. 69-77
C: PAPERS (a selection of the most important ones 2002-1985):
1. Cassoni istoriati with ‘Torello and Saladin`: Observations on the origins of a new genre of the trecento art in Florence in: “Italian Panel Painting of Dugento and Trecento” (Studies in the History of Art, The Center for Advanced Study in the Visual Arts, Washington D.C.), New Haven-London 2002, pp. 443-469.
2. The Bishop Piotr Tomicki chapel at the Cracow cathedral and its altarpiece with the `Adoration of the Magi’, Tagungsakten of the Symposium at the Germanischen Nationalmuseum in Nuremberg (29.1-1.2, 1999), Nurnberg 2002, pp. 385-394.
3. Transfiguratio-transubstantiatio: Observations of the programme of the Piarists church in Cracow, in: „Bild und Kult” (Materials from an International conference), Lublin 2002, pp. 65-110 (in Polish with summary in English).
4. Exempla di giustizia. Tre tavole di cassone di Alvise Donati, „Arte Lombarda”, 132, 2001 pp. 72-88.
5. I figli che saettano il padre. Un ovale rinascimentale inedito nel Museo Bardini di Firenze, “Swiatovit”, XLIV, 2001, pp. 121-132.
6. L’ideale classico nelle raffigurazioni dei re di Polonia come capitani (secoli XVI-XVII), in: „Il Perfetto capitano”, a cura di M. Fantoni, Roma 2001, pp. 367-393.
7. Alcune osservazioni sulla storia di Cupido e Psiche nella pittura italiana del Tre e Quattrocento, „Fontes”, Anno III, 5/6,2000, pp. 133-154.
8. Antiochus and Stratonice by a pupil by J.L. David: Jozef Oleszkiewicz’s painting in the Lithuanian Museum in Vilnius, „Bulletin du Musée National de Varsovie”,
9. Observations on the artistic geography of Italian Renaissance domestic painting, in: „Borders in Art Revisiting Kunstgeographie”, ed. by K. Murawska –Muthesius, Warsaw 2000, pp. 107-116.
10. Virgil with panpipes. Observations on the iconography of an Italian panel from the Lanckoroński Collection, „Fontes”, Anno II, 3-4, 2000, pp. 97-116.
11. Virgil in the basket, and Phillis and Aristotle. Two lettuccio paintings by Giovanni Bonconsiglio, “The Castle Chronicle” 2/38, 1999, pp. 5-44.
12. Florentine marriage chests and the war with Giangaleazzo Visconti, in: „Art and Politics”. 3rd Symposium of English and Polish Art Historians, ed. by F. Ames-Lewis, Warsaw 1999, pp. 31-43.
13. Florentine domestic paintings from the Lanckoronski collection at the Royal Castle in Cracow, (in Polish with Summary in English), Studia Waweliana,VI/VII, 1997/1998, pp. 112- 181.
14. Storia di Achille su due cassoni fiorentini dell’ultimo Trecento, „Mitteilungen des Kunsthistorischen Institutes in Florenz”, XLI, 1997, fasc. 3/4, pp. 33- 67.
15. The Queen of Sheba and Solomon on some early-Renaissance cassone panels a pastiglia dorata, “Antichità Viva”,1997, 5/6, pp. 6-23.
16. Florentina libertas:’ Storia di Lucrezia romana e la cacciata del tiranno’ sui cassoni del primo Rinascimento, „Prospettiva”, 83/84, 1996, pp. 159-176.
17. The last of the Lanckoronskis as the benefactors of Polish culture and learning, in: “Artist and national identity in Poland and England”, Conference held at Birkbeck College, University of London, 5-6 April 1995, London 1996, pp. 73-84.
18. Meleagro, Diana e Atteone su un cassone fiorentino nel Museo Nazionale di Varsavia, „Bulletin du Musée National de Varsovie”, XXXVII, 1996, pp. 15-66.
19. Apotheosis, Ascensio or Resurrectio. Osservazioni sull’Helios del Mausoleo dei Giulii sotto la basilica vaticana di San Pietro, „Arte Cristiana”, LXXXV (fasc.779), 1996, pp. 83-98.
20. The Lanckoronski collection in Poland, „Antichità Viva”, XXXIV, 3, 1995, pp. 27-49.
21. When our Sun is risen. Observations on eschatological visions in the art of the first millennium, Part I: The mosaics on the triumphal arch in S. Paolo fuori le mura, Roma, „Arte Cristiana”, LXXXII, 1994 (763), pp. 245-260.
22. Part II: The mosaics in the dome of the church of Hagios Georgios in Thessalonika and in the Capella Palatina in Aachen, „Arte Cristiana”, LXXXIII, 1995 (766), pp. 3-22.
23. ‘The Story of Lucretia’ on an early-Renaissance cassone a pastiglia dorata at the National Museum in Warsaw, „Bulletin du Musée National de Varsovie”, XXXV, 1994, pp. 31-52.
24. ‘Europa and the winged Mercury’ on two cassone panels from the Czartoryski Collection, „Journal of the Warburg and Courtauld Institutes”, 56, 1993, pp. 63- 74.
25. Oculus mundi, oculus coeli: osservazioni sul simbolismo della luce nella cappella funeraria del primate Uchanius a Lovitium, „Quasar”, VIII/IX, 1992/93, pp. 5-18.
26. Il tabernacolo eucaristico di Giovanmaria Mosca detto il Padovano per la cattedrale di Cracovia, „Mitteilungen des Kunsthistorischen Institutes in Florenz”, XXXVII, 2/3, 1993, pp. 303-336.
27. ‘Transfiguratio Domini’ in the apse at Mount Sinai and the symbolism of light, „Journal of the Warburg and Courtauld Institutes”, LIII, 1990, pp. 42-60.
28. Representations of religious procession in early- Christian art, „Folia Historiae Artium” 21, 1985, pp. 5-53, (in Polish with summary in French).